
"All musical instruments come with baggage. In fact they are baggage – objects of surrealist furniture that speak. Smash them, burn them, build them in funny shapes or digital simulacra and yet they grin back: “still here”. Seeing Rhodri Davies set himself up to play amplified harp at ...more
'When we first meet Grace Allcock, she's prone and anaesthetised, about to get a nose-job. The scene is nearly unreadable, the unflinching prose keeping us alive to what "before" and "after" photographs would have us forget; this is a violent procedure, partly conducted with a ...more